Two men in deep conversation, head towards the cafe, swing the glass door open and stride in. One has a dark blue coat and a purple, red and green bow, clung tightly around his neck while the other wears a white shirt with thick pink stripes, and on top of it, an ordinary black coat. The one with a long nose and white hair, glasses perch at the bridge of his protruding breathing organ, looks like a professor from a blockbuster. Because movies have painted portraits of eccentric professors to be such while in reality, he could be a scriptwriter, an interior designer, a librarian or a bank clerk.
The cafe, sterile and cold, dressed in a minimalist design, has an even colder personality behind the counter. Her hellos are crisp and her reluctant smile adds no warmth to the frozen atmosphere. Her eyes does not meet theirs as she asks them for their order. The sleek walls, lighted up by light boxes, gleams in the black, pink and silver interior. Typically, such establishment will thrive in superstar cosmopolitans like Tokyo, Hong Kong or Canary Wharf-where bankers and solicitors congregate and negotiate, where black folders get slapped on the silver steel table tops and then be taken away after a series a firm handshakes. It is a meeting point for people who has no preference of the atmosphere where they dine. The place is merely functional. Who cares whether the waitress smiles at you when the business deal is sealed? They have more important things in mind.
You won’t find the creative, zany, flashers and exhibitors here. You won’t find the nostalgic, the melancholic and the dreamers either. The intense feelers, the compassionate healers and clairvoyants avoid cafes like this like bad karma, because there is no place for passion nor empathy.





